Misc. Figma Care – If a Figure Seems Disappointing

To my long un-updated blog,

This will be a landmark post, ladies and gentlemen!

That's right.

I am finally writing an article in which my subject will be A FIGMA! :O

Today I will be sprucing up Figma Araragi Koyomi, because he's a bit unappealing, and has been ever since I bought him.

Here he is:

Okay, so there are a couple of things you might notice right away.

Araragi had three main problems and because of them I had never really liked him, but it's really not his fault and all he ever needed was a bit of TLC.

Since I fixed these minor issues I've started to really like him! He's actually really cool!

So... The Actual Problems:

1. His paintwork is really dull and unappealing.

It looked cool on the prototype, but my figure looks kind of flat (it's a bit hard to tell from the picture, but he was really boring compared to my other Figmas).

2. He has a smear of ugly glue on the front of his shirt. :(

3. There's a slight chance that you've picked up on this already, but his arm keeps falling off.

The Actual Solutions To The Actual Problems:

1. The Dull Paintwork.

Many Figmas seem to suffer from a phenomenon I'm going to call "Factory Dust". It's not very noticeable, but they have it straight out of the box and it really dulls the paint, especially dark colours.

I think it's probably caused by a coating of fine dust or powder, but luckily, it's still easy to get rid of.

Just rinse the figure under running water. No soap required.

That's it. No tricks (apart from keeping the plug in so that small parts don't go down the drain if they accidentally fall off). Plain, cold, running water straight from the tap. 

It works on Nendoroids too, and doubtless many other types of figures which just don't seem as bright as they should. 

If your new figure looks a little dull, try giving it a cold bath!

(Somehow it took me about nine months to think of this...)

Araragi's colouring came up really nicely after cleaning. It's actually really surprising how much better he looks. I didn't realise he had that much "Factory Dust" on him!

    .... I have no idea what the stuff actually is, though... I'm guessing it's something to do with the packaging process, but I will probably never know.

An effective yet impractical method of washing figures.

OK, next!

2. The Ugly Smear of Glue.

First up, a photo:

When I got Araragi, there was more glue on his
shirt than shown here – I only remembered to take
 a picture half way through removing it.

Damn! So ugly!

Like so many of its smudgy conspecifics, this blemish is small but super visible and super annoying! (... it may even be super glue........... heh.)

I don't know how many figures come out of their shiny new boxes with horrible glue smears on them, but I figured I'd write this up in case anybody else is having this kind of problem.

To remove the ugly smear, I used a really big sewing needle to chip away at the glue:

An embroidery needle? It's fairly sharp but it's huge – nearly 10cm (4") long!

Very gently chip away at the glue, taking care not to damage the plastic underneath. In my case the glue was on one of the "flexible material" (AKA rubbery) parts of the Figma which meant it came off quite smoothly.

I say the glue came off smoothly, but there were still a few little bits left over which wouldn't come off with the needle.

Because I am a very obsessional person, I carefully filed these off with a fine grade emery board type file. It's meant for making PVC jewellery and I think it's officially a "polishing" file.

Seriously, some of these files are so fine that you can file the surface off paint without scraping through to whatever's underneath. It's fishsticking amazing!

I highly recommend getting some because they're also great for removing paint smudges (and they're cheap. I got a pack of three for ≈$6.00).

    ~ yeah, you know I didn't really mean "fishsticking".

An equally good alternative to a file would be fine grade polishing paper (like sandpaper but
super fine. Regular sandpaper isn't much good for figures because it leaves noticeable scratches).
On a side note, Araragi's colouring has heaps more impact now that he's clean!

Right. The glue is all fixed! On to the next problem...

3. His arm keeps falling off.

Yes... um... it does keep falling off.

Ever since I got him, it's been fairly loose. It stays on okay most of the time, but when I try to pose him it pops off with very little provocation. The socket in his shoulder just seems a bit too shallow.

To be honest, I haven't managed to fix it yet. I tried a few things and none of them worked, but if I manage to repair this loose joint, I'll write a post about it.

For now, Araragi's arm will have to stay loose, but he still looks WAY better than he did when I got him!

... and his arm isn't too bad anyway...

             ... at least, Mayoi doesn't think so.

^___^

Anyway, I hope this post was at least a little bit helpful, even if I didn't end up fixing Araragi's arm!

As always, best of luck with your figures!

Cheers!

Sparkey

Small Paint Touch-ups ~made INVISIBLE!

Hello!

So, today I will be popping in briefly to my poor neglected blog to talk about minor paint touch-ups.

It happens so often...

You have a lovely shiny new figure. It's pristine and beautiful right out of its box... then, in an instant, lost in your excitement, your hand slips; that momentary, involuntary movement which sends your new treasure flying. For a few moments, your heart is in your mouth as the figure falls to the floor (or worse, onto the sharp edge of one of those Apple ergonomic keyboards)... Thunk. The sound rings coldly in your ears.

Next is the horrible sinking sensation as you realise that beautiful new shiny paint is chipped. The chip is small, but horribly obvious. You know the shining white fleck of raw plastic will catch your eye every time you look at your figure and the regret will live on inside you forever! You must do something!

BUT WHAT? (DUN DUN DUNNNNN!)

Well, you have two fairly obvious options. You could put the chipped figure on the shelf and feel sad, or, you could paint over the blemish and be happy.

Today I will be explaining the unthreatening task of covering up the all-too-common paint chip.

Meet Chogokin Aegis, who is beautiful:

Some people claim that Chogokin Aegis has trouble standing on her own but they are obviously just naysayers who lack creativity. She can stand just fine! ... you only need to adjust her center of gravity forward a little...

So anyway, Aegis had a relatively small blemish on the bow around her neck. I think she came out of the box with it.
Here it is, in all its shining glory:

Okay, so it's not THAT bad, but it's annoying. (Besides, I like painting.)

So... tools.
I will be using the following things:

A tiny paintbrush.
Paint.

I know it's a lot to remember, but try to stay focussed.

Now... This is the part where I explain with unnecessary detail tricky part.
It's time to choose the right colour.
The paint I use for this kind of thing is good old cheap and readily available acrylic. It doesn't matter what grade. Student or artist both seem to be fine.
If you want to do touch-ups, I suggest keeping a good range of colours so that mixing the right shade is easy.

Now, I need red. You'd think red is red, right? No. Wrong.
You see, paint manufacturers are not normal people, and to them "red" is anything which even kind of vaguely resembles what we, in the real world, would term "red". (Like "indian red"? Not even close. Sorry guys. It's brown no matter which way you look at it.)
I, personally, have three shades of "red" on hand for just this reason. Usually, at least one of them matches or can be mixed to a colour which will match:

From left to right (note that label colours are often wildly inaccurate and names vary a lot):
"Cool Red": this is a pinkish colour similar to the magenta used in CMYK printing and is good for making purple but not orange. When added to yellow it makes a colour I like to call "poo", but purples made with this shade have a lovely depth and clarity. Added to a spot of white it makes "hot pink".
"Warm Red / Brilliant Red": This is a bright, slightly orangey colour and cannot be used to make purple, but it does a very nice orange.
"Red": Miraculously, this artist's paint is actually a good medium red which can be mixed to purple or orange, though it doesn't make as good a purple as "cool red". I searched for many years to find this colour.

Unfortunately "cool red" and "warm red" seem to be the most common in shops, but if you keep both of them in stock you should be able to manage. Who knows? Maybe mixing them together will make a proper red (though for some reason I never felt like trying that...)

Please note that no other primary colours are this stupid.

So, to choose the right shade I opened the tubes and compared the colour of the actual paint inside with Aegis' ribbon and luckily the "red" on the right was very close, so I didn't have to mix colours.

Mixing colours really isn't that big of a deal if you have to do it. Just keep fiddling around with small amounts of paint until it's right.

On to the actual painting:
It's a very small area which I'm painting. Just get a tiny bit of paint on the end of your brush and gently paint over the blemish.
If the paint is a bit lumpy, wipe your brush and use it to smooth over the freshly painted surface (before it dries!) until it's nice and even, removing excess paint if necessary.

You don't need much. I dipped my brush once for this job.
This picture shows approximately how much paint I used.
(And how tiny the brush is!)

If the area to be painted was a bit larger, I might consider thinning the paint with a bit of ethanol or metholated spirits to make it spread more evenly (no, vodka probably isn't good enough). I wouldn't recommend thinning with water because it tends to stop the paint from sticking to the plastic.
When thinning, just add a teeny drop of ethanol/metho to your palate (which in my case is the lid of an old ice-cream tub – classy!) and thin the paint little by little, as you go – invariably some sections will want thicker paint than others.

Sometimes, the colour isn't as much of an exact match as you expected it to be! \(O.O)/
If this happens, don't panic. (o.o)
The human brain seems to be trained to notice sharp edges, so, using a very thin layer of paint, make a gradient (see below) over the edge of the touchup. This will make it extremely hard to notice the colour difference. Sometimes you have to paint quite far to make it work, but that's no problem.

If you really stuffed it up, then quickly wash your brush and then use the wet (but not dripping) brush to loosen the paint (this must be done before it dries), then dab off the mushy paint with a tissue.
I have done this plenty of times and I've never wrecked a figure.

If worst comes to worst, you can just paint over your touch-up once it's dry. (I end up doing that pretty often, actually...)

And... We're done!
I always write a lot, but once you actually get down to it, the job only takes about 40 seconds.

Aegis' Fixed Ribbon!
The "red" paint didn't quite match the original colour, so I made a gradient.
Can you see it? It even extends onto the left side of the bow at the top.
(I can't see it.)

More info on gradients:
Introducing Real Action Heroes Baoh Renewal ver!
Doesn't he have a pretty face?

These are not before and after shots. Unfortunately I forgot to take a before shot >__<
These pictures just show how he looks in different light. Left: Under a horrible desk lamp. Right: With a flash.

Can you see where I painted? It's more obvious in the picture on the left.
When I got Baoh, he had a little bit of a mark on his nose and I also didn't fancy how dark the lines/cracks around his mouth were.
That's totally personal taste, so I suppose you can consider this a mod and not a touch-up, but I thought those lines looked a bit messy and not true to the manga, so I PAINTED OVER THEM!
Naughty me. He was a collectable. Still, I love disgusting 1980's manga so I doubt I'll ever part with him.

I made a colour I like to call Baoh Blue by mixing the cool red from earlier with a colour called "cobalt".

I have included Baoh in this post because he shows a visible example of a home-made gradient.
You can see in the image on the left that there is a slight discrepancy between the colour of the middle of Baoh's face and the colour between the black lines on his cheeks.
This is because I couldn't get the colour exactly right (and I like the variety anyway) and I also couldn't extend my invisible blendy magic gradient as far as I would have liked without painting out details... but the point is, do you see how the new colour gets thinner and thinner until it's hard to see it? There's no "edge".
This is achieved by using less and less paint the further out you go.
That's what you have to try and do if you want your touch-ups to be relatively invisible.
Try it on a scrap of plastic like an ice-cream tub lid. It's not as hard as you think!

Happy Painting!
Cheers!
Sparkey